L'amore - Roberto Rossellini @ CINEMATEK, Bruxelles [du 22 juillet au 4 août]

L'amore - Roberto Rossellini


188
22
juil.
 
- 4
août.
18:00 - 21:07

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CINEMATEK
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it L'amore è costituito da due parti. La prima, Una voce umana, da una pièce teatrale di Jean Cocteau, la seconda, Il miracolo da un soggetto di Federico Fellini. In entrambe Anna Magnani interpreta una donna che ama senza essere amata. La seconda (nel cartello all'inizio del film) è espressamente «dedicata all'arte drammatica di Anna Magnani», il che sembra un addio (e, com'è noto, effettivamente lo era).

en Roberto Rossellini’s twin tribute to Magnani offers a one-two punch of tour-de-force performances from the actress. In the first part, adapted from a theatrical monologue by Jean Cocteau, she’s a woman hanging on the telephone line for dear life as she pleads with a lover who has just ended their relationship—a veritable aria of desperation and despair. In the second, a story by Federico Fellini, she stars as a peasant who has a vision of Saint Joseph—and then finds herself mysteriously pregnant. When it was released in New York, the latter was condemned as “sacrilegious,” leading to a landmark censorship battle that went all the way to the Supreme Court. Far from blasphemous, it’s a luminous statement of faith and spirituality, featuring one of Magnani’s most moving performances.

fr «Ce film est un hommage à l'art d'Anna Magnani»
Roberto Rossellini rend cet hommage à l'actrice à la fin du générique. L'amore, due storie d'amore est un film qui comprend deux épisodes: La voce humana — La voix humaine et Il miracolo — Le miracle. Anna Magnani tient successivement les deux rôles, celui de la femme quittée et celui de la paysanne naïve.

nl ‘L’amore’ is een fantastische showcase van het onmetelijke talent van Anna Magnani en alleen daarom al meer dan de moeite waard. ‘Il miracolo’ is, omdat het dieper graaft dan alleen de relatieproblemen die ‘Una voce umana’, de betere en completere film, maar beide segmenten tonen ons La Magnani op haar best. En een Anna Magnani op de toppen van haar kunnen, dat is smullen geblazen. Bellissima!

Magnani’s powerful performance as Pina, the housewife and pregnant mother mercilessly mown down by German bullets in Rome, Open City, had contributed enormously to making the film such a great success, and in its wake she and Rossellini were inevitably drawn into a very passionate love affair. The two short films of L’amore would be the cinematic fruits of this stormy affair
Last screening of L'Amore in Citta — Fellini Antonioni Risi Zavattini 08
.07

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